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Vergezichten en gezichten (1954) en recent de postuum verschenen bundel De oude kustlijn (2002)
'Among the many dark pleasures of Emerald Wounds
MA is less a curative than a testimonial
A rare document of the 1960s Black Arts Movement featuring Albert Ayler
it redefined the rules of poetry while describing the soul of the American character
The Clearing Sorcerer Vergezichten en gezichten (1954) enJJJJJerome Ellis JJJJJerome Elliss The Clearing asks how stuttering, blackness, and music can be practices of refusal against hegemonic governance of time, speech, and encounter. Taking his glottal block stutter as a point of departure, Ellis figures the aporia and the block as clearing to consider how dysfluency, opacity, and refusal can open a new space for relation. Stemming from Ellis's essay "The clearing: Music, dysfluency, Blackness, and time,